No Sex Please, We’re British: Coil’s Subversively Overt Homosexuality
Homosexuality drove experimental band Coil’s creativity, yet they rejected the demand that they either embrace performative homosexuality or remain discreet and closeted.
Homosexuality drove experimental band Coil’s creativity, yet they rejected the demand that they either embrace performative homosexuality or remain discreet and closeted.
This phase of Coil, explained by them as more "feminine", "lunar consciousness musick" in contrast to their previous "solar" phase, featured extensive use of organs, electric viola, and other synthesizers, a greater range of vocal experimentation.
Coil’s undeniable sonic invention can’t quite mask an almost quaint self-seriousness on their 1992 album, Stolen & Contaminated Songs, which was recently re-released.
In 2019, the music world saw amazing reissues spanning rock legends to foundational electronic artists, soul and jazz to pop of all stripes.
The merger of two industrial pioneers Nine Inch Nails and Coil can be impressive, but never quite matches the original versions.