The Best Film of 2024
Our Best Film of 2024 commemorates intriguing films, emerging voices and celebrated doyens searching for stranger narratives and new angles on existing legends.
Our Best Film of 2024 commemorates intriguing films, emerging voices and celebrated doyens searching for stranger narratives and new angles on existing legends.
PopMatters‘ 30 Best DVDs of 2024 hereby presents a glorious cavalcade, a prestigious panorama, a scintillating smorgasbord of classic films (and one newbie).
As polarization impacts the cultural landscape, rom-coms like Ted Lasso show how we can work through our differences and disagreements to everyone’s satisfaction.
Comic film actress Teri Garr flourished in the 1970s and 1980s, bringing an innate likability and charm to her roles and giving the characters dignity.
Nickel and Dimed meets a suburban big box store in Adelle Waldman’s unexpectedly humorous, dystopian workplace caper, Help Wanted.
Nathan Silver’s 1970s-styled throwback Between the Temples is a comedy of people awkwardly fumbling toward purpose, faith, and meaning.
Ant Timpson and Toby Harvard’s Bookworm effuses charm and humour, and reveals the Jekyll and Hyde-like sides of their creative personas.
Thriller short film The White Rabbit ensnares viewers with a joke, a nightmare, and an illusion in a sly interplay that evokes Hitchcock’s Rear Window.
Erik Kripke’s gory superhero satire The Boys takes a visceral plunge into political and personal tragedy, showing there’s more to fear than just corrupt superheroes.
A dead body adds to the lively mix of family dysfunction and the pressure of making a good impression in Dan Robbins’ affable black comedy, Bad Shabbos.
Axe murder, motor scooter theft, projectile breast milk and more from a week at the Music Box Theatre for the Chicago Critics Film Festival 2024.
In Éric Rohmer’s ‘Tales of the Four Seasons’, everything exists on an elevated Expressionist plane; every detail dovetails into its hermetic philosophies and ironies.