In Amy Seimetz’s ‘She Dies Tomorrow’, Death Is Neither Delusion Nor Denial
Amy Seimetz's She Dies Tomorrow makes one wonder, is it possible for cinema to authentically convey a dream, or like death, is it something beyond our control?
Amy Seimetz's She Dies Tomorrow makes one wonder, is it possible for cinema to authentically convey a dream, or like death, is it something beyond our control?
There's a song performed in James Whale's musical, Show Boat, wherein race is revealed as a set of variegated and contradictory performances, signals to others, a manner of being seen and a manner of remaining hidden, and it isn't "Old Man River".
Amy Seimetz's thriller, She Dies Tomorrow, is visually dazzling and pulsating with menace -- until the color fades.
The opposite of the idealized embodiments of masculinity seen in male cinema heroes, hapless man-children Laurel & Hardy are creatures of the id.
It seems the entire Phillies team were just the patsies in Seinfeld's Magic Loogie episode. Let me demonstrate.
Drag superstar Trixie Mattel spills the beans on her new book and so much more. "It's a wonderful book. I'm ready to have my roller coaster at Universal Studios based on this book."
In a strange kind of way, Miranda July's Me and You and Everyone We Know is about two competing notions of "forever" in relation to love.
Arriving amidst the exhaustion of the past (21st century cultural stagnation), Waititi locates a new potential object for the nostalgic gaze with Jojo Rabbit: unpleasant and traumatic events themselves.
Led by a misanthropic yet oddly charming performance from Jean Dujardin, Quentin Dupieux's take on the midlife crisis, Deerskin, gains power from the absurd and the enigmatic.
Judd Apatow's latest arrested development comedy, The King of Staten Island, is short on laughs and long on running time.