You’ll Never Make It Alone: On Groups in ‘The Good Place’
The Good Place puts a dirtbag, a human turtleneck, a narcissistic monster, and the dumbest person ever n the same room, because they’ll never make it alone.
The Good Place puts a dirtbag, a human turtleneck, a narcissistic monster, and the dumbest person ever n the same room, because they’ll never make it alone.
In Terry Gilliam’s 25-year pursuit of filming Don Quixote, the story is at last made manifest but the character’s spirit is crafty.
Preston Sturges' classic Hollywood comedy The Great McGinty is an incisive and bold political satire that explores the ridiculous depths of American corruption—80 years before the Trump era.
Gloria Bell painfully conveys that this economic system thrives on our isolation.
Critics and audiences have made much fun of Tom Hooper’s Cats. The laugh is on them.
For a show that so cynically pokes holes in the inanities of our plastic, apathetic world, The Simpsons' rough-edged bedrock of brilliantly conceived sentiment can cup a heart without compromising comedic integrity.
Fellini is the master of blurring the lines between the real and the surreal, demonstrating the overriding imbrication of the familiar and the fantastic. In The White Sheik, currently playing at NYC's Film Forum, he inspires wonder and bemusement.
Adam Sandler’s career-defining performance in the Safdie Brothers’ Uncut Gems is a gritty thrill ride into the psyche of an adrenaline junky.
The Safdie Brothers' nervy ball of tension, #PMPick Uncut Gems, sends a hustler blasting recklessly through a city where everybody is on the make.
Sidney Olcott's silent film Little Old New York falls into a tradition of men who find themselves strangely attracted to boys that turn out to be girls in disguise.
In a society of things, social responsibility requires a recognition of the influence of commodities upon our most foundational spiritual experiences. Nickelodeon's animated series, Rocko's Modern Life, puts it simply.