‘The Boys’ Season 4 Is a Bloody Descent into Hell
Erik Kripke’s gory superhero satire The Boys takes a visceral plunge into political and personal tragedy, showing there’s more to fear than just corrupt superheroes.
Erik Kripke’s gory superhero satire The Boys takes a visceral plunge into political and personal tragedy, showing there’s more to fear than just corrupt superheroes.
A dead body adds to the lively mix of family dysfunction and the pressure of making a good impression in Dan Robbins’ affable black comedy, Bad Shabbos.
Axe murder, motor scooter theft, projectile breast milk and more from a week at the Music Box Theatre for the Chicago Critics Film Festival 2024.
In Éric Rohmer’s ‘Tales of the Four Seasons’, everything exists on an elevated Expressionist plane; every detail dovetails into its hermetic philosophies and ironies.
Is the Barbie movie, like the Barbie dolls, a superficial attempt to co-opt feminist discourse? Or does it offer something substantial?
Fantasy, comedy, romance, reincarnation, animals and murder are ingredients for You Never Can Tell, a whimsical story with spoofs of film noir.
The mini-series adaptation of Viet Thanh Nguyen’s kaleidoscopic tale The Sympathizer is a knockout account of colonialism, war, and (the loss of) identity.
Rachel Lambert’s sensitive and observant comedy drama Sometimes I Think About Dying isn’t a film that will turn popcorn into projectiles.
A female Tarzan and her gorilla, a horse that revenges his murdered master, mothers, and comical aviators make the scene in these silent film jewels.
Gil Junger’s alteration of The Taming of the Shrew, 1999’s 10 Things I Hate About You, is a revolutionary Riot Grrl-inspired teen comedy for today’s girls.
The 1984 rockumentary, or mockumentary, This Is Spinal Tap is a prophetic parody where one can laugh about, laugh at, and be laughed at all at the same time.
Radu Jude’s gonzo satire of post-Soviet Romania, Do Not Expect Too Much from the End of the World, hits a sweet spot between Luis Buñuel and Béla Tarr.