Three Stylish British Silent Films by Anthony Asquith and Arthur Robison
While Anthony Asquith’s Shooting Stars and Underground look excellent on Kino Lorber’s digital restoration, Arthur Robison’s The Informer looks most spectacular.
While Anthony Asquith’s Shooting Stars and Underground look excellent on Kino Lorber’s digital restoration, Arthur Robison’s The Informer looks most spectacular.
Flicker Alley restores Cinerama travelogue spectacles The Golden Head and Flying Clipper.
Over 90 years later, silent film The Kid Brother works well as entertainment for modern audiences, for whom its calculated old-fashioned corn and apparent simplicity aren't a problem but par for the course.
By satirizing the French literary intelligentsia, Assayas' Non-Fiction (Doubles vie) chronicles the hypocrisies of the modern psyche without attaching itself to any particular worldview.
Silent film actor Alice Howell conveyed the persona of a working-class clodhopper with a huge pile of frizzy hair plopped on top of her head, and she threw herself into physical comedy as much as Lucille Ball.
Marcello Mastorianni and Rita Tushingham act out Swinging London fantasies for Christopher Morahan's Diamonds for Breakfast.
Starring Rebel Wilson, the half rom-com, half satire Isn't It Romantic has a hypocritical message, but its self-mocking charms work well.
"I don't want to make statements, I want to see human behaviour and life unfold…" says director Watterson, who admits that the imaginative Dave Made a Maze has an identity crisis.
While Grace and Frankie is as fun as ever, season 5 suggests a sadder path for a show that has often pushed its sadness to the periphery.
Re-releases of Police Story and Police Story 2 show writer-director-star Jackie Chan in his finest fighting style -- along with his usual over mugging for the camera.
As a piece of both cultural history and film history, David Byrne's True Stories takes its place alongside two other films from the mid-'80s that are also steeped in a surrealistic other-worldly place, Repo Man and Blue Velvet.
Adam McKay's gonzo Dick Cheney biopic satire, Vice, won't be compared to Shakespeare, but it shares the Bard's disinterest in supervillains' motivations.