Asian American Pop Culture Stands on the Shoulders of a Giant Robot
Today’s Asian American pop culture stands on the shoulders of Giant Robot, a beloved zine that published an eclectic mix of artists and subjects.
Today’s Asian American pop culture stands on the shoulders of Giant Robot, a beloved zine that published an eclectic mix of artists and subjects.
Aminder Dhaliwal’s A Witch’s Guide to Burning shows the follies of our toxic relationship with overwork and how to break its spell.
Chuck D’s style in his three-volume, Covid-era graphic novel STEWdio can be described as neo-expressionistic with images and text often intertwined like Jean-Michael Basquiat’s art.
Aquaman can be read as an allegory that responds to the climate change crisis, an era in which the oceans have become sites of warfare and mass death.
Marvel Studios’ What If…? on Disney+ is an intriguing animated and narrative exercise in the MCU, but why isn’t it as exciting as we anticipated?
French artist Jean Giraud, aka Moebius, inspired his peers and mass media. In video games especially, his psychedelic fantasy/surrealist art may live on forever.
Marx’s death pact is made literal in Sarah Gailey’s Eat the Rich, a remarkably fun comics series given its subject is the horror of capitalism.
Marvel’s Falcon and the Winter Soldier on Disney+ follows the legacy of Captain America in the MCU, but its timely racially and politically charged plot lacks focus.
Inspired by Joe Ollmann’s Fictional Fathers, I ruminate on my life with comics, my favourite job as a father, and what Art can remind fathers about loving and raising their children.
Artistic evolution alone cannot explain what is found within Michael DeForge’s Heaven No Hell.
In his adaptation of okai stories, ‘Tono Monogatari’, manga artist and historian Shigeru Mizuki is at once narrator, illustrator, reader, and participant, explaining the stories’ connections to Japanese legend and belief.
Marjane Satrapi is a complicated woman living and working at the intersection of many overlapping identity factors, and her books Persepolis and Embroideries provide us different facets through which to view this complex of relations.