The (Almost) Complete Julie Doucet
Doucet's creative id, whether awake or asleep, knows few boundaries—or rather seeks out boundaries to challenge.
comics
‘Art Comic’ Is a Comedic Comic of Artful Artlessness
Matthew Thurber's Art Comic lampoons the art world by wallowing in its shallowest waters.
Jason Lutes, Author of ‘Berlin’, on Drawing War Comics and Resisting Fascism
As we learn in this interview, when Jason Lutes began drawing the Berlin series in the '90s, he had no idea his own country would be facing the threat of fascism, again, by the time he completed it.
Can Comics Survive Changing Print and Digital Formats without Compromising Artistic Integrity?
Aaron Kashtan's Between Pen and Pixel is a deep exploration into your father's comics, your comics, and the future of comics.
Marvel’s Avengers #1 Defends Old School Avenging
Captain America, Iron Man, and Thor return to their Avenging roots, but not without doubts.
‘Red Colored Elegy’ Is a Most Un-manga Manga Classic
Seiichi Hayashi renders struggles through sometimes obscure, but always evocative imagery in Red Colored Elegy.
The Poison and Perils of Symbiotic Plots in Marvel’s ‘Venomized #1’
The war between the symbiotes and the Poisons escalates to new extremes.
Mixing, Mashing, and Monsters in Marvel’s ‘Weapon H #1’
That anything good could come from combining Wolverine and the Hulk sounds like head trauma for Juggernaut.
Teenagers and Zombies Are a Good Mix in ‘New Mutants Dead Souls #1’
Matthew Rosenburg reminds us why teenagers and paranormal monsters are a potent combination.