Erika Angell’s New LP Makes You Appreciate Her Excellence
Experimentalist Erika Angell has a deep track record of producing intriguing music, but here, under her own name, it feels like she’s created her masterwork.
Experimentalist Erika Angell has a deep track record of producing intriguing music, but here, under her own name, it feels like she’s created her masterwork.
G_d’s Pee AT STATE’S END! is the best album Godspeed You! Black Emperor have put together since 2000’s Lift Yr Skinny Fists Like Antennas to Heaven.
Third Album reflects experimental electronic artist Markus Floats' belief that music isn't just something one does. It's a life one leads, so each release is an excerpted component of an ongoing and all-encompassing journey.
Canadian musician, composer, and instrument maker, JOYFULTALK produces his third LP, A Separation of Being, which overflows with cohesion and light.
Canadian cellist and activist Rebecca Foon channels her emotions into music that honors a planet in peril on Waxing Moon.
Canadian experimental rock band, Fly Pan AM return after a 15-year absence, stressing the extremes of their sound on C'est ça.
With SING SINCK SING, Efrim Manuel Menuck and Kevin Doria arrive with a work that thrives through its melancholic tone, but allows a ray of hope to shine through.
Siskiyou's latest album gets under your skin. Not Somewhere is bold and weird and deeply human, uneasy listening at its finest.
On Joni Void's second full-length Mise En Abyme, plunderphonic electronica is not only a technique for sound construction but also a deconstructive method for shattering and reordering the self.
Light Conductor produce an immersive journey through drone, kosmische musik, and psychedelia with Sequence One.
Electronic duo Joyfultalk partner with Montreal-based artist and animator Brandon Blommaert for a mesmerizing video of their 2018 song "Peace Fight".
In the new record by Jerusalem in My Heart, Moumneh produces music that arrives with an expanded scope, highlighting some of the best qualities of his work.