The TANK Center for Sonic Arts Find a New Way to Interpret Beethoven
National Sawdust Ensemble’s work on Slow Beethoven recasts Beethoven’s Opus 131 as something wholly new, recasting it as a contemporary classical dirge.
National Sawdust Ensemble’s work on Slow Beethoven recasts Beethoven’s Opus 131 as something wholly new, recasting it as a contemporary classical dirge.
Ambient maestro Matthew Robert Cooper (Eluvium) is two decades into his career, and on his latest LP, overcomes surprising obstacles physical and geographical.
Composer and multi-instrumentalist Erik Hall shares his second installment of a trilogy with a tribute to Dutch composer Simeon ten Holt on Canto Ostinato.
Faten Kanaan’s musical molting feels more organic than the repetition in Steve Reich or Philip Glass; her music doesn’t rely on an unwavering framework for effect.
Colombian-American soprano Stephanie Lamprea brings a spectacular amount of vocal technique to a challenging, unique, and weirdly playful piece of music.
Composer Anne H. Goldberg-Baldwin tackles 15 contemporary pieces for solo piano on her deeply felt and surprisingly varied album, Permutations.
Approached as neo-classical minimalist jazz, Filters is a triumphant solo debut from Phillip Golub and another fascinating album from greyfade.
On New Primes, Vermont experimentalist Greg Davis explores process-based composition, with a little help from a record label that revels in the concept.
Kaitlyn Aurelia Smith has created a mirror of our tumultuous modern world in Let’s Turn It Into Sound where we can see our faults and boundless possibilities.
Sampling recordings over a century old, Egyptian composer Nancy Mounir delivers an album where the past and present converse to help write the future.
Kajsa Magnarsson and Marta Forsberg entertain the more adventurous listener with their variegated worlds of sonic experimentation and this thoughtful exploit into high-concept sound art.
Anthony Coleman and Brian Chase’s Arcades is a celebration of sound, sound reacting to sound, and the effect of two musicians constantly upping the ante.