Jane Campion’s ‘The Piano’ Is a Product of the 1990s, Not the 1890s
The Piano is a ’90s-era postmodern stew of sensuality and death, realism and fantasy, stories within stories, feminism and psychology, and postcolonial imagery.
The Piano is a ’90s-era postmodern stew of sensuality and death, realism and fantasy, stories within stories, feminism and psychology, and postcolonial imagery.
Director Yorgos Lanthimos provides plenty of his trademark absurdity, but The Favourite is his most accessible, painfully human film to date.
For viewers into the techniques of mise-en-scène, Kino Lorber's 4k digital restoration of Hitchcock's first Technicolor film, Under Capricorn, is one dazzlement after another.