The Passion of Garth Brooks
Stephen Deusner’s entry in the 33 1/3 series about the wreckage of Garth Brooks’ ‘The Life of Chris Gains project makes for a mightily entertaining read.
Stephen Deusner’s entry in the 33 1/3 series about the wreckage of Garth Brooks’ ‘The Life of Chris Gains project makes for a mightily entertaining read.
Brother Elsey rock out to ease their pain and share their feelings with the rest of us. It’s recommended that this album be played at a loud volume.
The Allman Betts Band’s tribute tour provides a noble service to the blues rock community in helping fresh faces reach new audiences.
Neil Young’s Archives Vol. III (1976-1987) is the most substantial of his three archival releases, providing an ecstatic vision of what it means to “burn out”.
If, as Kris Kristofferson wrote, “freedom’s just another word”, questioning dominant ideas of American freedom is a potently important endeavor.
Nite Owls is JD McPherson’s most fully realized front-to-back example of his talent yet, and it points the way to an even more exciting follow-up.
Neil Young’s On the Beach lodges not in the heart or brain but in the spleen. Perfect for depressed, alienated teenagers in the soft-rock days before punk.
Alt-country/Americana artist Kevin Gordon’s The In Between provides evidence for the grandeur of keeping on even when everything seems wrong.
MJ Lenderman creates sounds that somehow cut into his listeners’ heads and hearts, even when the songs’ sonics resemble that of the garage band next door.
This bio about Moby Grape’s Skip Spence dissects and casts a glowing light on his work as a composer of some of the most influential music of San Francisco’s psychedelic scene.
On Manning Fireworks, MJ Lenderman describes down-and-out characters with his usual witty charm, all while showcasing his exceptional musical abilities.
It isn’t easy to get a bead on Charlie Overbey. He’s a rock and roll singer who veers from punk to country and claims they all merge at the root.