Gaming the O.J. Simpson Murder Trial
Did gaming the O.J. Simpson murder trial allow for deeper conversations about our most hidden emotions, ugliest prejudices, and disturbing desires?
crime
‘Sugar’ Is an Intoxicating Celebration of Classic Hollywood
Crime thriller Sugar, starring Colin Farrell, is an intoxicating celebration of Classic Hollywood that will keep you guessing about what’s really going on.
Film Noir Trio Showcases Edward G. Robinson on All Sides of the Law
The films in Film Noir: The Dark Side of Cinema XVII are united by one of Hollywood’s greatest actors, the almost casually brilliant and magnetic Edward G. Robinson.
‘Love Lies Bleeding’ Drips with Danger and Desire
Rose Glass drenches Love Lies Bleeding in sensation and texture, as if she dragged the film through pools of viscera on the floor of a Foley sound effects studio.
Inspector Maigret Mysteries Made in Occupied France
There’s no war going on in these subversive Inspector Maigret whodunits from occupied France, but there’s a lot more murder and paranoia than in the era’s newspapers.
The Settlers’ Blood-Chilling Journey into Humankind’s ‘Heart of Darkness’
Chilean revisionist Western, The Settlers, is a powerful film whose director shows admirable moral integrity that’s often absent in film history.
‘Foreign Land’ and the Dawn of a New Age in Brazilian Cinema
The bleakness in Walter Salles and Daniela Thomas’ 1995 crime thriller Foreign Land would mark the film as a paragon in the newly emerging Brazilian cinema.
‘La Cérémonie’ Explores Social Class Struggles with Chilling Exactitude
Filmed under a cool glass of calm and enwrapped in an airy atmosphere, La Cérémonie makes judicious use of its setting to starkly contrast its warring classes.
‘True Detective: Night Country’ Finds Comfort in Darkness
At the edge of civilization where True Detective: Night Country is set there is no promise of salvation, only carnal vengeance and some comfort in the darkness.
Who Thought Monty Python’s John Cleese Could Be a Romantic Lead?
You can sense Charles Crichton’s stare bearing down on John Cleese every time the former Monty Python actor attempts anything more comedic than a bemused smirk.
Getting High on Your Own Supply: ‘Scarface’ as an Allegory of Capitalism
Scarface implies that under capitalism, “getting high on your own supply” is inevitable, as the system is based on the exploitation of dissatisfaction.
The Amplified Silence in Scorsese’s ‘Killers of the Flower Moon’
There are taboo subjects in the context of Indigenous Americans in Killers of the Flower Moon. Scorsese’s film only amplifies the silence surrounding them.