Nordic Noir in Transition: Jussi Adler-Olsen’s ‘Department Q’ Books on Film
Jussi Adler-Olsen, author of the Nordic noir Department Q series, isn’t thrilled with the transition of his work to film. Five directors of six films argue that’s a crime.
Jussi Adler-Olsen, author of the Nordic noir Department Q series, isn’t thrilled with the transition of his work to film. Five directors of six films argue that’s a crime.
Fantasy, comedy, romance, reincarnation, animals and murder are ingredients for You Never Can Tell, a whimsical story with spoofs of film noir.
In 13 episodes, lost TV wonder 21 Beacon Street is an uncanny and legally actionable precursor to the Mission Impossible franchise.
Did gaming the O.J. Simpson murder trial allow for deeper conversations about our most hidden emotions, ugliest prejudices, and disturbing desires?
Crime thriller Sugar, starring Colin Farrell, is an intoxicating celebration of Classic Hollywood that will keep you guessing about what’s really going on.
The films in Film Noir: The Dark Side of Cinema XVII are united by one of Hollywood’s greatest actors, the almost casually brilliant and magnetic Edward G. Robinson.
Rose Glass drenches Love Lies Bleeding in sensation and texture, as if she dragged the film through pools of viscera on the floor of a Foley sound effects studio.
There’s no war going on in these subversive Inspector Maigret whodunits from occupied France, but there’s a lot more murder and paranoia than in the era’s newspapers.
Chilean revisionist Western, The Settlers, is a powerful film whose director shows admirable moral integrity that’s often absent in film history.
The bleakness in Walter Salles and Daniela Thomas’ 1995 crime thriller Foreign Land would mark the film as a paragon in the newly emerging Brazilian cinema.
Filmed under a cool glass of calm and enwrapped in an airy atmosphere, La Cérémonie makes judicious use of its setting to starkly contrast its warring classes.
At the edge of civilization where True Detective: Night Country is set there is no promise of salvation, only carnal vengeance and some comfort in the darkness.