Mark Fisher’s posthumous k-punk showcases the depth of his critiques, insight he brought to the humanities, and a glimpse into where he was going with the unfinished work, Acid Communism.
Donna Zuckerberg’s Not All Dead White Men is a powerful study of the ways the alt-right distorts the understanding of ancient Greek and Roman literature to serve hateful interests today.
In White Fragility, Robin DiAngelo commits the error of telling her readers what to think instead of providing ways to use critical thinking to challenge societal norms.
Somehow, without realizing it, for both DeLillo and Rowling, death, the end of the world, and endings themselves are best emblematized by a dysfunctional father/son relationship.
Is a "theology of humor" viable?
One can't help but wonder what Epstein feels at churning out fuel for those reactionaries most determined to wreck "the best that has been thought and said" in liberal culture.
What does it mean when our stories and our characters, unlike our lives, refuse to come to an end?
Throughout Dead Girls, Bolin is too eager to jam pack chapters with popular cultural references rather than fully deconstructing the subjects.
Seemingly for those interested in Stuart Hall's theories, this text is really just for Stuart's cool kids in the hall.
Hannah Gadsby’s Nanette is a cultural milestone not only because it demands a better future, but also teaches the present moment and where we might go next.
Anthony Bourdain was loved not for his wit or charming temerity, but for confronting us with our own alienation and cultural isolation.
Kevin Young painstakingly presents the history of hoaxes and why we keep falling for the same old shtick.
