Overthink Dance-Punk’s the Dare at Your Own Risk
The Dare’s What’s Wrong With New York? is euphoric, massive, funny, blissfully unironic, and finally real male pop. I wouldn’t overthink it.
The Dare’s What’s Wrong With New York? is euphoric, massive, funny, blissfully unironic, and finally real male pop. I wouldn’t overthink it.
The current resurgence of Britpop could trigger nostalgia for late 1990s big beat like Lo Fidelity Allstars, while trip-hop remains a vital influence.
New Order’s danceable rhythms and quick, clean melodies inspired a slew of paler imitators then and a new onslaught of dance-punk bands in the past few decades.
Alpha Games is a superb return to form for Bloc Party, much-awaited, and an excellent entry to a fantastic and idiosyncratic discography.
Franz Ferdinand’s potential is repeatedly hinted at rather than fully realized on Hits to the Head. But it’s better to show potential than to have none at all.
Parquet Courts branch out into dance-rock and Madchester textures inspired by the rave’s communal, ecstatic atmosphere on their latest Sympathy for Life.
Liars’ founding member Angus Andrew talks with PopMatters about revisiting the band’s past work and creating a new sci-fi album, The Apple Drop.
Post-punk pioneers Gang of Four get the tribute they deserve on The Problem of Leisure: A Celebration of Andy Gill and Gang of Four.
In advance of their sixth studio album, we spoke with Cut Copy's Dan Whitford about Freeze, Melt, and the road the electropop group took to get to where they are.
Defunkt’s music is constructed with the intricacies of jazz, charged with the muscular pump of rock, and executed with punk’s ferocity. Frontman Joseph Bowie talks about the band’s long, colourful, and arduous journey.
Brooklyn post-punk trio, the Wants deal in 21st-century dread but do so in a most danceable way on Container.
Electro duo the Juan MacLean release a flat collection of previously released house singles on The Brighter the Light.