Electronic Rockers Fat Dog Go ‘WOOF’
Fat Dog’s combination of live instruments and rock influences with a more modern dance sound seems like a winner for finding an audience in 2024.
Fat Dog’s combination of live instruments and rock influences with a more modern dance sound seems like a winner for finding an audience in 2024.
Getting heard in a band of super-powered women can be challenging, but the Beaches’ Eliza Enman-McDaniel does so much more than bang her drum all day.
Yard Act’s Where’s My Utopia? is a mother lode of cool sounds, critiques of late capitalism, meditation on fame’s futility, and a forecast of apocalyptic change.
This is the complete story of how New Order assimilated US underground dance sounds and determined the direction of indie music for many years to come.
Full of gems from the Happy Mondays, the Charlatans, the Stone Roses, and many lesser-known acts, this massive Madchester retrospective leaves surprisingly few holes.
The Dare’s mission is urgent, as simple as breathing. Have a good time – a stupid good time – like your life depends on it. Because it literally does.
Speaking in Tongues captures Talking Heads at the zenith of their funk freakout and just before a big gray suit would change everything. It’s an art-pop funk masterpiece.
A Certain Ratio have always been willing to fiddle with their sound. That they do so in 1982 doesn’t surprise and fits with their rejuvenation in the 2020s.
We Are Scientists’ Lobes is notable for building its songs specifically around keyboard lines and exploration of 1980s-style synth tones.
From releasing films as a band to using Brian Eno’s card deck to help guide the sound of their epic new double-LP, the Orielles remain as indescribable as ever.
We dance this mess around, get out our lava lamps, and explore why the B-52’s 1979 debut album is one of the best pop records ever made.
Destroyer’s Dan Bejar discusses the making of the band’s stellar new record LABYRINTHITIS while looking back to his past and forward to what might come next.