The Flipside #11: Baz Luhrmann’s ‘Something For Everybody’
The Flipside examines film director Baz Luhrmann's surprisingly lively bubblegum pop effort Something for Everybody, which celebrates its 20th anniversary this year.
The Flipside examines film director Baz Luhrmann's surprisingly lively bubblegum pop effort Something for Everybody, which celebrates its 20th anniversary this year.
Can't wait for the next Avalanches album? Melbourne's Alice Ivy cites them as an influence but carves out a sample-based beatscape all her own, making for a compelling listen from one of the year's breakout stars.
Moby creates a despondent calm in advance of the determined storm. It is the best thing Moby has done in a long time.
Portland dance quartet Gold Casio present the simple idea of accepting and loving oneself in a profound way on "Sinners".
Frustrated with Japan's profit-driven music scene, Kazuto Okawa began making music that rejected Tokyo's parochial consumer culture and moved as far away from J-pop as possible, creating his own sound.
Peyton talks about how his new album, Sinners Got Soul Too, both fuses and transcends elements of his diverse musical background, from Southern gospel to Ibiza House.
As the Recording Academy prepares to honor Tina Turner with a 2018 "Lifetime Achievement Award", PopMatters celebrates the Queen of Rock's legacy of golden gramophones.
Prins Thomas 5 is an unusual, mid-tempo collection that places less emphasis on atmosphere while focusing on the groove.
From the "shamanic techno" of Parisian duo Pouvoir Magique to Stockholm Noir's brilliant string of darkly foreboding, electro-licked singles, here are ten selections that represent some of the more intriguing dance offerings of 2017.
Tokyo Nights shines a light on the roots of vaporwave with a neon-lit collection of peak '80s dance music.
In this exclusive interview with DJ Okapi, he takes us through the development of the unique variety of South African EDM from the late 1980s.