‘Everything Everywhere All at Once’ and the Politics of Genre
In genre-busting sci-fi Everything Everywhere All At Once, the multiverse is not a genre but a metaphor that invites audiences to think about the complexities and politics of genres.
Daniel Scheinert
‘Everything Everywhere All At Once’: Queer Acceptance at the Edge of Oblivion
Balancing its serious side with silliness and sincerity, queer-positive Everything Everywhere All At Once speaks to a communal determination to press forward, even when it seems the whole world is pressing back.
Asian Mothers Hold Multitudes in ‘Everything Everywhere All at Once’
Filmmakers Daniel Kwan and Daniel Scheinert on the many possibilities within Asian mothers as seen in their sci-fi comedy Everything Everywhere All at Once.