Yuppies, Punks and Sociopaths Congregate in Scorsese’s ‘After Hours’
In After Hours, Scorsese’s camera wanders through a tableau of living and breathing graffiti incarnated as ’80s New York City’s most dangerous bottom-feeders.
In After Hours, Scorsese’s camera wanders through a tableau of living and breathing graffiti incarnated as ’80s New York City’s most dangerous bottom-feeders.
With the same shocking specificity that sets apart her poetry, Ruth Madievsky’s All-Night Pharmacy brings us uncomfortably close to everything the narrator witnesses in a hospital waiting room.