Shaved Jews and Philosemitic Fantasy: On ‘Jud Süss’ and ‘Das alte Desetz’
The fascist mind, always limited by parochial sentimentality, fears art because it fears any hint of ambiguity.
The fascist mind, always limited by parochial sentimentality, fears art because it fears any hint of ambiguity.
Like many of the best comedies and tragedies, this Weimar-Era silent film understands how each mode is often a hair's breadth from the other.