Cassandra Jenkins Trips the Cosmos on ‘My Light, My Destroyer’
Brimming with cosmic musings and darkened Americana, My Light, My Destroyer earns Cassandra Jenkins a place among the best contemporary singer-songwriters.
Brimming with cosmic musings and darkened Americana, My Light, My Destroyer earns Cassandra Jenkins a place among the best contemporary singer-songwriters.
A LA SALA delivers on what Khruangbin are known for: chill, mostly easygoing guitar melodies backed by a deep rhythm section groove.
Mitski’s The Land Is Inhospitable and So Are We marks a shift away from her earlier work toward a more mainstream sound that might even be called Americana.
From the haunted guitars to the impressionist vocals, from the most spell-binding drones to the brisk tempos, this is a Slowdive album through and through.
More Photographs has its moments, and for anyone wanting to explore old photos, memory, and mortality with Kevin Morby, it broadens the thinking.
Braiding stirring songwriting prowess and beautiful vocals, Durand Jones has created one of the most assured and brightest debut albums in quite some time.
On Wednesday’s spectacular Rat Saw God, the North Carolina quintet weave a vivid tapestry of misery led by Karly Hartzman’s ekphrastic storytelling.
Mitski’s Laurel Hell possesses a kind of weird timelessness. The album seems like an artifact from the past that somehow seems relevant in the present.
Sundowner and A Night at the Little Los Angeles work together to satisfy multiple moods and develop a complete picture of Kevin Morby’s work.
Durand Jones and the Indications push the boundaries of soul music with Private Space, reminding us that the genre was never a relic of the past.
Shame's Drunk Tank Pink emphasizes something that's become even rarer than a rock star: a legitimately exciting band.
On Sundowner, Kevin Morby sings of valleys, broken stars, pale nights, and the midwestern American sun. Most of the time, he's alone with his guitar and a haunting mellotron.