
Call Super’s New LP Is a Digital Biosphere of Insectoid and Otherworldly Sounds
Call Super's Every Mouth Teeth Missing is like its own digital biosphere, rife with the sounds of the forest and the sounds of the studio alike.
Call Super's Every Mouth Teeth Missing is like its own digital biosphere, rife with the sounds of the forest and the sounds of the studio alike.
Toronto composer/producer Sina Bathaie serves up Persian hammer dulcimer and progressive house beats on the meditative "Bloom".
Desire is a successful expansion of Bob Moses' previous standard pop album format into the more grandiose club mix format, one that hints at further creative developments in the group's future.
Down Into Light feels like the album Lee Jones was always born to make. He's always had a lightness of touch, but here, his touch is more delicate than ever.
On "Tonto", Disclosure loop their signature hi-hats with bass, a saxophone, and the joyous voice of Eko Roosevelt.
Cubicolor's meticulously crafted soundscapes morph from plaintive electronic pieces into uplifting dance tracks in the space of a single song. Hardly a Day, Hardly a Night is a richly drawn, triumphant record.
Flashmob Records boss finds the sweet spot between groove and melody on this quality, deep house mix of Juliet Sikora's "Beat Dancer".
Currently on tour, Bob Moses puts on a club night with catchy refrains and strong instruments instead of decks.
Leon Vynehall crafts a crate-digging set which, while not always satisfying, at least remains one of the bolder entries in the long-running DK-Kicks series.
Australian producer Kaz James gives the song by the electro-folk outfit a deep house makeover, turning into a guaranteed floor-filler.