Beabadoobee Is Timeless on ‘This Is How Tomorrow Moves’
On her third album, This Is How Tomorrow Moves, Beatrice Laus, also known as beabadoobee, blends folk and rock to create a timeless fantasy world.
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The 1975’s Latest Is a ‘Funny’, Confounding New Missive
The 1975 want to be funny in a foreign language, but on their fifth go-round, their ambitions are tempered in plain English.
Rina Sawayama’s ‘Hold the Girl’ Is a Raw Coming-of-Age Tale
Beneath the dance-pop, Rina Sawayama’s Hold the Girl is a liberating saga of growth, maturity, and forgiveness branded in the form of an alt-pop album.
The Japanese House Offer Open Doors on Debut ‘Good at Falling’
Though the Japanese House's Imogen Heap-inspired dream pop feels light and euphoric at surface level, you don't have to dig too deep to hear the heartbreak and apathy darkening Good at Falling's mood.