‘Even the Forest Hums’ Showcases Little-Known Ukrainian Music
This new compilation celebrates Ukrainian musicians’ abilities to find alternate modes of creating in the face of Soviet state restrictions.
This new compilation celebrates Ukrainian musicians’ abilities to find alternate modes of creating in the face of Soviet state restrictions.
On her 17th studio album, Kylie Minogue once again proves that few of her peers or followers understand the art of light dance-pop as well as she does.
Want to understand (and maybe start to reconcile) the Woke vs. MAGA divide? Start with the disco vs. rock divide of the 1970s.
Nearly a decade since their last album, T3 and Young RJ continue Slum Village’s legacy as a duo, bringing the group’s sound into a mature yet danceable space.
On Voulez Vous, ABBA went disco and created a turbo-charged version of their music. The raucous choruses of Voulez Vouz preview a decade of pop.
Cymande were foundational in the creation of hip-hop, disco, house, drum and bass, and rare groove, passed through generations like so much underground music.
The Jaynett’s ’60s pop single “Sally Go ‘Round the Roses” is equal parts all surface and inscrutable depth, which is why a range of artists cover it to this day.
Music may be the glue of every NYC underground scene This Must Be the Place covers, but Jesse Rifkin’s primary interest is in the community held together by that glue.
Carly Rae Jepsen’s The Loveliest Time expands her B-Sides offerings by creating a compilation that distinguishes itself from its predecessor.
Eschewing male producers who didn’t necessarily see her creative vision in the past, Ralph also came out as a member of the LGBTQ community this year.
Sylvester’s voice – an otherworldly sonic boom of a voice that climbed to dizzying heights – was a significant force in queer pop culture in the 1970s.
Jessie Ware has continued her disco success with That! Feels Good!, which is somehow even more potent than its predecessor.