Jessie Ware’s ‘That! Feels Good!’ Is Horny and Accomplished
Jessie Ware has continued her disco success with That! Feels Good!, which is somehow even more potent than its predecessor.
Jessie Ware has continued her disco success with That! Feels Good!, which is somehow even more potent than its predecessor.
Britney Spears’ Blackout feels fresher than ever 15 years on. It captured the darkness of her personal life and cemented new dance music in the pop lexicon.
No group combined the rebellious, enterprising ambition of the punk movement with the grand and performative nature of major pop superstardom like Blondie did.
Beyoncé’s Renaissance repackages traditional marketing and 1990s-inspired dance music, creating the ultimate combination of streaming sensibilities and feel-good anthems.
While Renaissance occasionally sports more style than substance, Beyoncé emerges as the re-coronated Queen of Pop and the reigning regent of eclecticism.
Lizzo’s Special is as much a celebration of the Twitter, Instagram, and Facebook cosmos as it is an in-person, post-Covid bacchanal.
Special is such a disappointment because you can hear the better album Lizzo is capable of making, but she insists on cranking out one-size-fits-all empowerment jams.
The “future” in future funk is removed from any historical sense of time, existing in a digital future that can be forever extended – and always out of reach.
Maroon 5’s sophomore album, It Won’t Be Soon Before Long, pivoted away from their pop-punk beginnings and set them up for a decade of pop culture omnipresence.
Ibibio Sound Machine hit new heights as they draw on the power of musical currents flowing between Lagos and London on the Hot Chip-produced Electricity.
Three decades later, CeCe Peniston’s Finally remains a thrilling record that boasts some of the most memorable dance music of the last five decades.
With Fever, Kylie Minogue came to the rescue after 9/11 by offering enough irresistible ear candy to make people forget about their troubles.