Robert Siodmak’s Auf Wiedersehen to Hollywood
Robert Siodmak’s reverse immigration film, Deported, and drama about capital and labor, The Whistle at Eaton Falls, were the last he’d make for Hollywood.
drama film
Akira Kurosawa Films 101: 1991 – 1993
Today we end our examination of every Akira Kurosawa film. After the ambitious epic Ran, Kurosawa embarked a three smaller but more personal films.
Power, Loss, and Madness in Kurosawa’s Ran and Shakespeare’s King Lear
By identifying King Lear with the ancient Japanese warlord Hidetora, whose violations emerge from a breach of publicly identified self-hood, Akira Kurosawa plays with the quintessentially Shakespearean focus on individual personality.
Akira Kurosawa Films 101: 1975 – 1985
These films represented Akira Kurosawa’s ascendance to greater international acclaim, while he struggled to find financing in Japan, where the movie industry was shriveling.
Comparing Akira Kurosawa’s Early and Late Films
There are striking differences between Kurosawa’s earlier and later films, including in the different ways people have responded to these two groups of films.
Akira Kurosawa Films 101: 1963 – 1970
These three Kurosawa films represent the end of one phase of his career and the beginning of another. High and Low is a police procedural that is regarded as one of his greatest films, while Red Beard represented the end of his so-called “Creative Period”.
Akira Kurosawa Films 101: 1960 – 1962
Today’s Kurosawa 101 covers three of his most popular and accessible films Yojimbo and Sanjuro, as well as arguably his most earnest, The Bad Sleep Well.
Silence Has a Sound: The Unempty Quiet in ‘Sound of Metal’
If punk is for those who reject mainstream culture, then in the music film Sound of Metal, nothing is more punk than radical deaf acceptance.
Akira Kurosawa Films 101: ‘Seven Samurai’ (1954)
Today’s Kurosawa 101 focuses on what’s generally regarded as the greatest Japanese film ever made and perhaps the greatest in world film: Seven Samurai.
Widescreen, Big Ideas: The Cinema of Akira Kurosawa
When Akira Kurosawa made the conversion to a wider screen, he did so by making six consecutive films in widescreen, with a degree of success as resounding as it was influential.
Akira Kurosawa Films 101: 1950 – 1952
Today’s Kurosawa 101 explores two of the greatest films in Kurosawa’s catalog, Rashomon — the film that made Kurosawa and Japanese cinema known throughout the world — and Ikiru — perhaps the greatest film ever made about impending death.
Akira Kurosawa Films 101: 1949 – 1950
Today’s Kurosawa 101 films include the director’s only effort at bringing a contemporary Japanese stage play to the screen (the rarely seen The Quiet Duel), a police procedural that was the finest Kurosawa film to date (Stray Dog), and a scree against tabloid journalism that resulted in one of the weakest films he would ever direct (Scandal).