
The Best Film of 2024
Our Best Film of 2024 commemorates intriguing films, emerging voices and celebrated doyens searching for stranger narratives and new angles on existing legends.
Our Best Film of 2024 commemorates intriguing films, emerging voices and celebrated doyens searching for stranger narratives and new angles on existing legends.
PopMatters‘ 30 Best DVDs of 2024 hereby presents a glorious cavalcade, a prestigious panorama, a scintillating smorgasbord of classic films (and one newbie).
Mindfulness is integral to cinema; thus, it’s fitting to emphasize time in 2024’s London Film Festival Festival, because every story is running out of it.
Revenge of the Zombies stands at the axis of Nazis, race relations and feminism in a mishmash of wartime themes under an immigrant director.
Although it aims to portray humanity’s future, sci-fi film Interstellar‘s message – that our greatest asset and liability is ourselves – resonates in our times.
Sessue Hayakawa was the first Asian male star in Hollywood, became a “foreign” silent film sex symbol, and ran his own company while the “natives” remained uptight.
The good, the bad, and the ugly dance to Slow Horses‘ strange game, which reminds viewers that solidarity is essential to fighting oppression.
The Creature and A Dog Called Vengeance use German shepherds in allegories of fascist politics, revolution, violence and love.
For this Halloween, we invite you to join us in revisiting ten classic, creepy Are You Afraid of the Dark? episodes. First, turn off the lights.
From 1930 to 1980, these five horror movies offer masked maniacs, mad scientists, murder mysteries, mummies, and military cannibals for your Halloween freak-out.
Francis Ford Coppola’s bonkers “fable” about the clash of dreams and cynicism, Megalopolis, has a potent but unfounded belief in its importance.
Red Mountain and Botany Bay showcase masculine movie icon Alan Ladd in his glory, playing wounded heroes on the wrong side of the law.