drama

‘The Boys’ Season 4 Is a Bloody Descent into Hell

‘The Boys’ Season 4 Is a Bloody Descent into Hell

Erik Kripke’s gory superhero satire The Boys takes a visceral plunge into political and personal tragedy, showing there’s more to fear than just corrupt superheroes.

Two Southern-Fried Slices of Sordid ’60s Hicksploitation Films

Two Southern-Fried Slices of Sordid ’60s Hicksploitation Films

Angry old men, sexy strumpets, moonshiners, corrupt sheriffs, and dumb farmhands populate them thar hills in these two low-budget ’60s hicksploitation films.

Exiting the Comma: On Liminality and Redemption in Wim Wenders’ Paris, Texas

Exiting the Comma: On Liminality and Redemption in Wim Wenders’ Paris, Texas

In Wim Wenders’ Paris, Texas, Travis is adrift, caught in the comma between the liminal ‘Paris’ and the redemptive ‘Texas’, between lost futures and the impermeable present. 

Crime Sells in TV: ‘The Responder’, ‘Shardlake’, and ‘Eric’

Crime Sells in TV: ‘The Responder’, ‘Shardlake’, and ‘Eric’

For compelling and worrisome reasons, crime sells in our TV entertainment. The Responder, Shardlake, and Eric feed our brutal compulsion in varying ways.

The Eerie Beauty in Horror Film ‘I Saw the TV Glow’

The Eerie Beauty in Horror Film ‘I Saw the TV Glow’

With horror film I Saw the TV Glow, Jane Schoenbrun creates an eerie, emotional journey into the intersection of identity and popular culture. 

Chicago Critics Film Festival 2024: The Good, the Unremarkable, and the Dead on Arrival

Chicago Critics Film Festival 2024: The Good, the Unremarkable, and the Dead on Arrival

Axe murder, motor scooter theft, projectile breast milk and more from a week at the Music Box Theatre for the Chicago Critics Film Festival 2024.

Philosophies and Ironies in Éric Rohmer’s ‘Tales of the Four Seasons’

Philosophies and Ironies in Éric Rohmer’s ‘Tales of the Four Seasons’

In Éric Rohmer’s ‘Tales of the Four Seasons’, everything exists on an elevated Expressionist plane; every detail dovetails into its hermetic philosophies and ironies.

Debut Drama ‘Mabel’ Rejects the ‘Matilda’-Like Dream of Childhood

Debut Drama ‘Mabel’ Rejects the ‘Matilda’-Like Dream of Childhood

Nicholas Ma’s humorous, warm and sensitive directorial feature debut, Mabel, embraces the messy uncertainty of life, for children and adults.

‘World of Giants’ Is Cold War Sci-Fi Espionage with a Small Difference

‘World of Giants’ Is Cold War Sci-Fi Espionage with a Small Difference

World of Giants is catnip and dog-nip and gopher-nip for connoisseurs of classic sci-fi TV ’50s style, aka, the art of really short half-hour storytelling.

21 Beacon Street’s Impossible Missions

21 Beacon Street’s Impossible Missions

In 13 episodes, lost TV wonder 21 Beacon Street is an uncanny and legally actionable precursor to the Mission Impossible franchise.

‘The Sympathizer’ Fractures Identity into a Knockout Kaleidoscopic Tale

‘The Sympathizer’ Fractures Identity into a Knockout Kaleidoscopic Tale

The mini-series adaptation of Viet Thanh Nguyen’s kaleidoscopic tale The Sympathizer is a knockout account of colonialism, war, and (the loss of) identity.

‘Sometimes I Think About Dying’ Keeps the Popcorn in the Bucket

‘Sometimes I Think About Dying’ Keeps the Popcorn in the Bucket

Rachel Lambert’s sensitive and observant comedy drama Sometimes I Think About Dying isn’t a film that will turn popcorn into projectiles.