The Repression of Truth in Michel Franco’s ‘Memory’
Michel Franco’s Memory explores the premise of entrapment in the context of trauma and dementia and, in its repression of truth, builds to a chilling moment.
Michel Franco’s Memory explores the premise of entrapment in the context of trauma and dementia and, in its repression of truth, builds to a chilling moment.
Sabu and a tiger foreshadow Byron Haskin’s special effects and science fiction adventures of humans vs. the elements in Man-Eater of Kumaon.
India Donaldson’s directorial debut Good One leans into gender distinctions, but goes beyond them to offer incisive and observant critique of human nature.
Which is the greater horror, Small Things Like These asks; the women who suffered under Ireland’s abusive Magdalene Laundries or the citizens’ complicity?
The Killing Fields, the harrowing film set in Cambodia during the Pol Pot regime, could not be made until after Chariots of Fire, Producer David Puttnam recalls.
Can The Zone of Interest, a film about a Nazi commandant and his family, have something to say about the modern day comforts so many enjoy?
Chilean revisionist Western, The Settlers, is a powerful film whose director shows admirable moral integrity that’s often absent in film history.
From comedies to horror, biographies to romance, there’s a reason why Hollywood filmmakers turn to poetry when dialogue fails.
At the edge of civilization where True Detective: Night Country is set there is no promise of salvation, only carnal vengeance and some comfort in the darkness.
Saltburn sparked discussion for its shocking sex scenes, but for all its stylized images and clever gendered trope inversions, its queer promises are empty.
Its lesbian love interest was once modified and a saccharine ending tacked on, but a new controversy arises with G.W. Pabst’s silent film classic Pandora’s Box.
Ostensibly a biography about wrestler Kerry Von Erich, The Iron Claw grips viewers with its dark tale about the company of men.