Oren Ambarchi and Eric Thielemans Journey Into a Sonic Apocalypse
It’s evident from Kind Regards that Oren Ambarchi and Eric Thielemans are in lockstep: two boxers circling one another, waiting for the other to strike.
It’s evident from Kind Regards that Oren Ambarchi and Eric Thielemans are in lockstep: two boxers circling one another, waiting for the other to strike.
Ten years since the last volume, Da Mind of Traxman Vol. 3 proves how futuristic and timeless his approach has always been.
Following Celia Hollander’s career is a bit like chasing the white rabbit through Wonderland. Her work ranges from scoring to sound installations and visual art.
Asa Horvitz’s experimental collaboration GHOST has honesty and fearlessness and incorporates themes of loss and grief with help from a custom-built AI system.
Amidst the rise in hi-fi bars and resurgence of audiophile culture, pristine audio is only one component of what makes The Listening Garden’s music experience distinct.
FKA Twigs’ Eusexua is a conceptual masterpiece that speaks to the heart and the head, the spirit and the body. These things are not separate from each other.
Celebrated Berlin-based composers Brueder Selke and Midori Hirano form a trio for this spellbinding new collaborative release.
The Orb use technology and culture to craft genuinely astonishing music. Orboretum isn’t just a greatest hits album but an engrossing history.
In trading sample-packs for organic instruments and whistles, Australia’s Alice Ivy returns after four years with an album that moves out of the clubs and into real stardom.
Trees Speak’s attention to brevity alone on Timefold signals slightly less-chartered territory for music whose spaciousness seems so familiar.
The first full-length album from Strangerfamiliar (aka Ilichna Morasky) sees the musician incorporating synths and exotic percussion on a unique set of songs.
In Songs for the Deceased Irish avant-garde punk’s Meryl Streek rages against the landlord class, which perpetuates the violent system of precarity.