electronic

Strangerfamiliar’s ‘La Pena’ Is a Haunting Ode to Trauma

Strangerfamiliar’s ‘La Pena’ Is a Haunting Ode to Trauma

The first full-length album from Strangerfamiliar (aka Ilichna Morasky) sees the musician incorporating synths and exotic percussion on a unique set of songs.

Meryl Streek Is Still Angry in ‘Songs for the Deceased’

Meryl Streek Is Still Angry in ‘Songs for the Deceased’

In Songs for the Deceased Irish avant-garde punk’s Meryl Streek rages against the landlord class, which perpetuates the violent system of precarity.

Luke Wyland Creates Deep, Dreamy Soundscapes on ‘Kuma Cove’

Luke Wyland Creates Deep, Dreamy Soundscapes on ‘Kuma Cove’

Luke Wyland’s performances provide the usual Zen moments from this type of ambient minimalism, but there’s a hint of darkness within the notes.

‘How Women Made Music’ Paints a Large, Colorful Canvas

‘How Women Made Music’ Paints a Large, Colorful Canvas

From the contributors of NPR’s Turning the Tables series, How Women Made Music paints a large, colorful canvas from years of research and dialogue.

Eli & Fur’s ‘Dreamscapes’ Casts a Low-Lit Spell

Eli & Fur’s ‘Dreamscapes’ Casts a Low-Lit Spell

Built on pulsating beats, minimalist synth touches, and immaculate sound design, British EDM duo Eli & Fur’s Dreamscapes casts a low-lit, wee-hours spell.

Nate Mercereau Is Challenging the Notion of “Genre” Itself

Nate Mercereau Is Challenging the Notion of “Genre” Itself

From writing with Shawn Mendes to helping André 3000 break genre barriers, guitarist Nate Mercereau’s latest breaks ground by ignoring labels and limits.

Broadcast’s ‘Distant Call’ Shows There Were Always Haunting

Broadcast’s ‘Distant Call’ Shows There Were Always Haunting

Broadcast’s music always felt mysterious with a degree of distance and isolation. Broadcast were always haunting, and Distant Call leads to that realization.

Kelly Lee Owens trades Brat Summer for Dreamstate Autumn

Kelly Lee Owens trades Brat Summer for Dreamstate Autumn

DJ, singer, and producer Kelly Lee Owens takes the opposite path from Charli XCX, yet meets her at the crossroads of pop and electronic music on Dreamstate.

Photay’s ‘Windswept’ Is an Ecstatic Embrace of Power and Wonder

Photay’s ‘Windswept’ Is an Ecstatic Embrace of Power and Wonder

An emotional and intellectual curiosity pulses through the glitches, polyrhythms, and floating synths of Photay’s Windswept, which feels distinctly personal.

Floating Points Returns to Electronic Music with ‘Cascade’

Floating Points Returns to Electronic Music with ‘Cascade’

Floating Points’ Cascade is a bassy, minimalistic swirl of house, techno, and ambiance to be enjoyed on the dancefloor or as the backdrop to solo introspection.

Jamie xx Arrives Fashionably Late with ‘In Waves’

Jamie xx Arrives Fashionably Late with ‘In Waves’

Nearly a decade after his debut, Jamie xx returns with a long-awaited sophomore LP that stylishly swells and retreats with danceable beats and moody romanticism.

Ionnalee’s Bilingual Gambit to Hear the End of Every Song

Ionnalee’s Bilingual Gambit to Hear the End of Every Song

Ionnalee has electronic LPs under multiple monikers, but she uncovers her full songwriting prowess by dropping a double-album split between English and Swedish.