‘The Harmony Codex’: Steven Wilson’s ‘Cinema for the Ears’
“If there was an agenda, it was to not have an agenda at all,” Steven Wilson says of his seventh solo LP, The Harmony Codex, in this extended interview.
“If there was an agenda, it was to not have an agenda at all,” Steven Wilson says of his seventh solo LP, The Harmony Codex, in this extended interview.
In weird ways, Yeule’s softscars works as a satisfying slice of artful pop for the Anthropocene that oozes catastrophe and captures a real cultural moment.
The first full-length release from Requiem packs an emotional, post-rock punch with its unique sense of adventure and calming, cathartic hope in the darkness.
STS9, Maddy O’Neal and the Crystal Method team up for a two-night desert dance party at Sin City’s most mystical new venue, Area 51.
Man on Man excel at delivering pop hooks in various ways across rock genres, and with ten tracks at 42 minutes, there’s plenty of playful joy on Provincetown.
For Richard Spencer and today’s alt-right, ‘80s British synthpop bands like Depeche Mode satisfy their retrofuturist cultural fantasies.
With a bloated runtime and a tendency toward monochromatic synth textures, M83’s ninth studio record Fantasy indulges one too many of the group’s clichés.
Depeche Mode’s Memento Mori is a testament to the power of art to call us to see more clearly in the absence of resolution.
Suicide’s music is used in films from the comedy Mistress America to the documentary The Red Orchestra. Martin Rev shares memories of the films and the sci-fi that he and Alan Vega loved.
New Order’s danceable rhythms and quick, clean melodies inspired a slew of paler imitators then and a new onslaught of dance-punk bands in the past few decades.
New Order’s Low-Life is a masterstroke of synthpop glory, but keep your expectations of the word “definitive” nice and low for this set.
For all of the imagery that dominated the religiosity of David Bowie what matters most are the songs. Here are 25 killer deep-cut Bowie originals, album by album.