North London producer Loraine James finds romance and hope on her extraordinary album, Reflection. It’s a work of seductive, heartfelt brilliance by an artist at the peak of her powers.
Elkka’s Euphoric Melodies is full of pulse-quickening beats and dizzying synths imbued with a sense of inclusivity for life-affirming moments on the dancefloor.
Georgia Anne Muldrow’s VWETO III is a 17-track clinic on creating rhythmic frameworks that wow you with their complexity and propel you into movement.
Electrosoul’s Rochelle Jordan possesses a deep love for ’90s dance and R&B. She returns after a hiatus to deliver a record of powerful influences and seductive charm and tells us her story.
Shock Power of Love is being advertised as a split, but it doesn’t even pretend to give Burial and Blackdown equal footing.
Scotland’s LVRA plays with BDSM vibes on her latest dark, electropop track, “Gets Me Going”.
Rochelle Jordan’s Play with the Changes is a masterpiece of club beats, deep hooks, and sweet vocals. She brings warmth and passion to icy synths and beats.
Arizona’s Trees Speak offer up elements of sci-fi, prog rock, krautrock, and Italian film scores on PostHuman, and that’s a good thing.
Shades of drum and bass, techno, and grime all appear but are warped and distorted via Basic Rhythm’s cool, muscular production style on Electronic Labyrinth.
Toronto experimental multimedia collective Intersystems return with a new album that’s just as adventurous and unsettling as the music they made decades ago.
Rare, Forever may be Leon Vynehall’s most daring work, but unfortunately, the result is just too cluttered to achieve any sense of artistic transcendence.
Rare, Forever synthesizes Leon Vynehall’s musical instincts into one unique vision. Both beguiling abstract and instantly gratifying it’s as dizzyingly immersive as Nothing Is Still.
