Emel Keeps Her Electropop Revolution Strong on ‘MRA’
Tunisian artist Emel’s MRA is what contemporary pop should be: a true and socially conscious mélange that makes its audiences want to listen, learn, and move.
Tunisian artist Emel’s MRA is what contemporary pop should be: a true and socially conscious mélange that makes its audiences want to listen, learn, and move.
Avalanche Kaito’s Talitakum is one of the most intriguing albums this year so far. It’s a work of futurist folk-rock and a mixed-media sculpture.
On Jlin’s Akoma, composers long recognized for their innovations, such as Philip Glass, the Kronos Quartet, and Björk, are pulled into her orbit.
This month’s best ambient/experimental releases yielded enough sublime music to send you drifting into transcendence for many moons to come.
Bagus Shidqi’s Njondhil Njondhal is a work full of heart and belief in keeping gamelan vibrant and available to contemporary practitioners and audiences.
Ben Frost, Australia’s premiere avant-garde composer, unleashes his first solo album in seven years by returning to the pitch-black metal he loves so dearly.
Bolis Pupul’s Chinese touches on Western dance beats are enticing. He belongs to both worlds and appreciates the connections and juxtapositions between them.
Under the Sun has a gravity that helps it stand out in the vast field of contemporary electronic music as Maya Shenfeld considers the magnitude of the cosmos.
On their debut album, Polish trio Ninja Episkopat surprise with references to industrial rock, hip-hop, and ambient within their free improvisation.
This year’s best electronic albums span the widest range of styles of any genre, ranging from melodic electro and warm house to the experimental outer reaches.
HAAi places older artists in the company of contemporary DJs for a set offering insight into how electronic dance music can be a transportive experience.
Four Tet’s four-hour party at Tempodrom shows that clubbing in Berlin is a profoundly communal affair, a social ritual of the highest order.