Mary Lattimore Shines on Tranquil ‘Goodbye, Hotel Arkada’
Mary Lattimore’s Goodbye, Hotel Arkada is mysterious, eerie, calming, and spacey and deserves a listen from fans of experimental, ambient, and electronic music.
Mary Lattimore’s Goodbye, Hotel Arkada is mysterious, eerie, calming, and spacey and deserves a listen from fans of experimental, ambient, and electronic music.
Asynchrone spend Plastic Bamboo embracing the endlessness of Ryuichi Sakamoto’s work, which leaves vast amounts of space for rearrangement and experimentation.
Massimo Pupillo’s Our Forgotten Ancestors takes the Sámi peoples of the Arctic Circle as its theme and inspiration for an instrumental tour-de-force.
When a Moog was placed in an Indian design college, students and staff casually broke ground for electronic music. The NID Tapes is a worthy document.
Gentle Confrontation is undoubtedly Loraine James’ most intimate record to date and best overall as she reaches new heights in her production craft.
With Soft Sounds, Brooklyn quartet JOBS continue to guide us out of predictability and into previously unknown musical avenues, lush with possibilities.
Electronic artist Miriam Piilonen’s Sharp Diamond demonstrates her wide-ranging singer-songwriter talents and it’s as multifaceted as a fine jewel.
In weird ways, Yeule’s softscars works as a satisfying slice of artful pop for the Anthropocene that oozes catastrophe and captures a real cultural moment.
Le Jour et la Nuit du Réel is a departure for Colleen and a natural progression. She delivers a micro-focused version of her sound sculptures.
Synthetic or acoustic percussion, Perspective is another release that demonstrates Jlin is a genre unto herself and way ahead of the electronic music curve.
Laurel Halo’s Atlas feels like a natural progression. Mixing her voice with electronics and instruments, she creates her most glacial music yet.
Spend enough time with Radian’s new LP, Distorted Rooms, and you will begin to sense the adjustments made to this musical niche right before your ears.