Kylie Minogue’s Sequel to ‘Tension’ Is a Worthy Follow-Up
On her 17th studio album, Kylie Minogue once again proves that few of her peers or followers understand the art of light dance-pop as well as she does.
On her 17th studio album, Kylie Minogue once again proves that few of her peers or followers understand the art of light dance-pop as well as she does.
Halsey’s The Great Impersonator reimagines her career throughout the decades, displaying a conceptual artist at the top of her game. A masterclass in honesty.
Built on pulsating beats, minimalist synth touches, and immaculate sound design, British EDM duo Eli & Fur’s Dreamscapes casts a low-lit, wee-hours spell.
Alison Moyet’s approach to her oeuvre is to treat her old songs like a new batch of tunes, divorced from any baggage or expectations.
DJ, singer, and producer Kelly Lee Owens takes the opposite path from Charli XCX, yet meets her at the crossroads of pop and electronic music on Dreamstate.
Nearly a decade after his debut, Jamie xx returns with a long-awaited sophomore LP that stylishly swells and retreats with danceable beats and moody romanticism.
Citron Citron’s Maréeternelle is accessible avant-garde pop still edging toward highbrow. It highlights the ultramodern sounds coming from Geneva’s underground.
Ionnalee has electronic LPs under multiple monikers, but she uncovers her full songwriting prowess by dropping a double-album split between English and Swedish.
Norway’s Susanna aims to distill the world and bring it down to a set of uncomfortable truths on this album. Love will tear us apart again and again.
Results is an incredible union of two seemingly disparate acts, yet the musical marriage of Liza Minnelli and the Pet Shop Boys is brilliant dance pop.
Fat Dog’s combination of live instruments and rock influences with a more modern dance sound seems like a winner for finding an audience in 2024.
The Dare’s What’s Wrong With New York? is euphoric, massive, funny, blissfully unironic, and finally real male pop. I wouldn’t overthink it.