Jamie xx Arrives Fashionably Late with ‘In Waves’
Nearly a decade after his debut, Jamie xx returns with a long-awaited sophomore LP that stylishly swells and retreats with danceable beats and moody romanticism.
Nearly a decade after his debut, Jamie xx returns with a long-awaited sophomore LP that stylishly swells and retreats with danceable beats and moody romanticism.
Ibibio Sound Machine have gone from exciting transcontinental party upstarts to a soulful, sophisticated phenomenon. Pull the Rope is a refreshing new chapter.
Jorja Smith’s Falling or Flying is quite an accomplishment and an excellent vehicle for her estimable talents. It’s a low-key yet unequivocal triumph.
Playing Robots Into Heaven is ultimately a flawed album, but at times it’s a worthwhile foray for James Blake into more beat-led, dancefloor-friendly music.
On Hit Parade, Róisín Murphy takes her sound – a swirling cacophony of electropop, synthpop, and nu-disco – and looks to soul to elevate her music.
STS9, Maddy O’Neal and the Crystal Method team up for a two-night desert dance party at Sin City’s most mystical new venue, Area 51.
Jayda G’s Guy is an admirable and occasionally affecting project that balances both personal vulnerabilities with uplifting and life-affirming music.
This year’s best electronic albums span the widest range of styles of any genre, ranging from poppy and melodic electro to the experimental outer reaches.
ODESZA’s The Last Goodbye is impressively diverse and wide-ranging; there are moments of elysian pop, broody angst, thrilling dance, and smart wit.
Ibibio Sound Machine hit new heights as they draw on the power of musical currents flowing between Lagos and London on the Hot Chip-produced Electricity.
Continuing in Hanif Abdurraqib’s excellent spring series, Dawn Richard brought her stunning “Electro Revival” show to the Brooklyn Academy of Music.
Endlessly creative electro-popster Tennyson builds on previous accomplishments with his textured, sophisticated full-length debut, Rot.