Tennyson Matches Warm Beats with Strong Melodies on ‘Rot’
Endlessly creative electro-popster Tennyson builds on previous accomplishments with his textured, sophisticated full-length debut, Rot.
Endlessly creative electro-popster Tennyson builds on previous accomplishments with his textured, sophisticated full-length debut, Rot.
Pop renaissance man Shamir channels trauma, rage, and feelings of angst, and in response to our troubled times, he’s released an album of uncommon beauty.
In these challenging times, soul and R&B walked tall and carried a big stick, while also being a much-needed balm and source of warmth in 2021.
Anz’s All Hours is one of the most exciting debuts of the year from one of the most thrilling new voices in club music. It’s music for the all-nighters.
ANISE offers a sumptuous and sensuous tribute to what she calls “the Divine Feminine Power” on “Black Eve”, the title single from her forthcoming debut EP.
Dallas’ Luna Luna melt into the last days of summer with the final psychedelic electro single from their debut LP Flower Moon.
Jungle’s political stance on Living in Stereo is a call for love, and as the title of the LP suggests, this takes more than one to accomplish. Let’s dance!
After a five-year hiatus, Aussie indie-popper Nick Murphy reactivates the alias of Chet Faker that made him famous. The results on Hotel Surrender are chill.
Chicago’s Brandon Markell Holmes and Rogue Vogue create gorgeous, moving, forward-looking electrosoul on “Garden”.
Following six turbulent years, Australia’s Hiatus Kaiyote return with their third LP of neo-soul virtuosity, Mood Valiant. It’s effortlessly likable and rich with heart and soul.
Love is more than “Enough” on electropop artist appleby’s intimate and dynamic new single.
Dawn Richard’s Second Line is a gorgeous record featuring fantastic, strange, esoteric sounds playing with house and club conventions. It’s a pioneering record and easily one of the best of the year.