
Pauline Olivero’s Visual Music for Non-Musicians
Experimental electronic musician Pauline Oliveros’ Text Scores will fill a musician’s head with sound, a literature reader with poetry, and a visual artist with illustration.
Experimental electronic musician Pauline Oliveros’ Text Scores will fill a musician’s head with sound, a literature reader with poetry, and a visual artist with illustration.
Multiple musical histories come to bear on Avalanche Kaito, resulting in an Afrofuturist-tinged, cyberpunk-shaped fantasy well worth an immersive listen.
Kaitlyn Aurelia Smith’s relationship with sound is in constant flux, and with her new album, her sonics disintegrate and rematerialize in fascinating new forms.
Kaitlyn Aurelia Smith has created a mirror of our tumultuous modern world in Let’s Turn It Into Sound where we can see our faults and boundless possibilities.
Duet Emmo’s Or So It Seems is an experimental one-off between Wire’s Lewis and Gilbert and Mute Records’ Daniel Miller. Pedigrees don’t come much better.
Matmos flit between the high and low transforming them into sound art that gives pop culture a friendly jostling on Regards/Ukłony dla Bogusław Schaeffer,
Geographically Misha Sultan’s roots may be in Siberia, but sonically they’re everywhere. Ambient, dub techno, krautrock, chill-out—he does it all.
Coldcut’s @0 swaddles the listener in mellow, relaxing swaths of sound. Slow-building, expansive washes of synthesizer pads dominate, swelling and ebbing with each successive track.
The Faded Orbit is the music of sound, a storm of possibilities curated by Siavash Amini and Saffronkeira. Eerie sounds that move in an intoxicatingly musical way.
Ricardo Donoso’s Progress Trap is cold. It sends chills, causes dark, abstract thoughts, and seems perpetually set in a futuristic noir.
Lotic’s Water demonstrates their uncanny ability to transmute the theme of water into dynamic soundscapes alchemically. It’s a tour de force.
Mira Calix’s Absent Origin takes the concepts of Dada and re-arrangement from visual artists such as Duchamp for a series of tracks impossible to pin down.