Trees Speak Sculpt the Desert’s Endless Landscape Out of Sound
Trees Speak’s attention to brevity alone on Timefold signals slightly less-chartered territory for music whose spaciousness seems so familiar.
Trees Speak’s attention to brevity alone on Timefold signals slightly less-chartered territory for music whose spaciousness seems so familiar.
Post-punk band the Dismemberment Plan’s Emergency & I is a landmark about loneliness, confusion, and isolation and how to bounce back from them.
Flow Critical Lucidity may not supersede Thurston Moore’s past career peaks. However, it reveals the unbounded possibilities of transformation available to him.
On the effervescent EELS, Being Dead make good on their promise not to repeat themselves on any song and dart through styles with relative ease to produce a gem.
Austin’s Being Dead offer up a bizarre, disjointed realm that constantly shifts, sweeping you up and launching you into the most unexpected places.
The start of Nick Cave and the Bad Seeds’ world tour brings transcendence to the German capital and shows there is no taming the Great Bard.
Xiu Xiu are uncompromising and have an equal appreciation for the beauty in life and all of its dark corners. Here, they mix jarring atonality and eerie calm.
Foxing swing for the fences, and most often, it’s positively thrilling, bending a wealth of influences into something stirring and uniquely powerful.
Two decades out from their wild debut, Xiu Xiu’s Jamie Stewart and Angela Seo reflect on their fans, band-free music videos, and uncompromising new LP.
On their first missive, We Are Winter’s Blue and Radiant Children create beauty amid the contemporary horror of a vicarious, voyeuristic existence.
Despite not being strictly metal, Mr. Bungle’s unhinged musical adventurousness showed heavy metal could get weird and silly without losing the heaviness.
Spirit of the Beehive offer their most rangy yet integrated album, each track striking a notable balance between sonic exploration and hook-leaning songcraft.