The Folk Implosion Begin Again with ‘Walk Thru Me’
After a quarter century, Lou Barlow and John Davis of the Folk Implosion return with an album that testifies to their enduring friendship.
After a quarter century, Lou Barlow and John Davis of the Folk Implosion return with an album that testifies to their enduring friendship.
Lift Your Skinny Fists Like Antennas to Heaven by Godspeed You! Black Emperor reminds us that sometimes the most powerful protest is (nearly) wordless.
Dirty Three continue their long career of making organic, meditative post-rock jazz that always humbly approaches a single moment, without pretense or distraction.
Released this month in a Super Deluxe Edition, Whisky a Go Go 1968 recovers a legendary “lost” performance by Frank Zappa and the Mothers of Invention.
MONO return with a post-rock album about faith and commitment, which serves as a fitting epitaph for their long-term artistic collaboration with Steve Albini.
Imagine a train that seems to be going off the rails yet keeps on track, and you’ll get a sense of what The Messthetics and James Brandon Lewis sounds like.
Fantômas stand as one of the most audacious music projects of the 1990s. You almost wonder if the quasi-mainstreamish Faith No More held Mike Patton back.
Melvins are masters of their craft, still able to make songs that stand with their finest work precisely because they’re never trying to recapture that past.
With Mule Variations, Tom Waits tamed his vaudevillian guises and showed that he was aging gracefully, while retaining his integrity towards his artistry.
Avalanche Kaito’s Talitakum is one of the most intriguing albums this year so far. It’s a work of futurist folk-rock and a mixed-media sculpture.
Wilco’s net-streaming experiment with Yankee Hotel Foxtrot was part of the utopian promise for technology’s future, and it worked.
Who had Sonic Youth’s Kim Gordon making a collection of trunk-rattling near hip-hop and industrial noise on their 2024 bingo card?