Desperate Times Call for Poetic Protest From Cyril Cyril
Cyril Cyril’s Le Futur Ça Marche Pas is for agitators, a genre-be-damned assemblage of poetry and vivid effects in the form of well-produced electronic rock.
Cyril Cyril’s Le Futur Ça Marche Pas is for agitators, a genre-be-damned assemblage of poetry and vivid effects in the form of well-produced electronic rock.
Avant-garde artist and producer Samuel Goff unleashes a fascinating exercise in catharsis on his second solo album, This Is My Body, This Is My Blood.
Well into their fourth decade, industrial pioneers Einstürzende Neubauten continue to experiment and transform. Blixa Bargeld chats about their creative process.
The latest release from Michael Cormier-O’Leary’s instrumental collective, Hour, is a deliberately paced work that’s peaceful and oddly disarming.
Following Robed in Rareness from last fall, Shabazz Palaces continues a provisional series with the cryptic and digressive Exotic Birds of Prey.
Avalanche Kaito’s Talitakum is one of the most intriguing albums this year so far. It’s a work of futurist folk-rock and a mixed-media sculpture.
Experimentalist Erika Angell has a deep track record of producing intriguing music, but here, under her own name, it feels like she’s created her masterwork.
Celebrated saxophonist Josh Johnson infuses his music with various styles on this surprisingly accessible new LP of processed, ambient jazz.
This month’s best ambient/experimental releases yielded enough sublime music to send you drifting into transcendence for many moons to come.
As a composer and performer, MIZU embraces uncharted territory with her cello not so much in hand but working fully as an extension of her body and voice.
Alena Spanger’s music is full of odd twists and unconventional choices, but that’s what makes Fire Escape so enjoyable and undeniably beautiful.
Ben Frost, Australia’s premiere avant-garde composer, unleashes his first solo album in seven years by returning to the pitch-black metal he loves so dearly.