Gold Dime Make a Torrent of Beautiful Noise on ‘No More Blue Skies’
Gold Dime’s No More Blue Skies can be loud, fast, and urgent but will also disarm you and create a deeply unsettling atmosphere. It’s well worth the wait.
Gold Dime’s No More Blue Skies can be loud, fast, and urgent but will also disarm you and create a deeply unsettling atmosphere. It’s well worth the wait.
The sole release from the experimental collective Family Dynamics gets the long-awaited vinyl treatment, and it’s an exquisite, impossible-to-classify gem.
Massimo Pupillo’s Our Forgotten Ancestors takes the Sámi peoples of the Arctic Circle as its theme and inspiration for an instrumental tour-de-force.
Piano and tape loops provide the basis for pianist Richard Sears’ most satisfying, compelling release to date, Appear to Fade.
Sprain’s aim at a masterpiece finds an exhaustive, immersive, and ambitious work of post-rock, noise, and poetry that intellectuals will lust after.
When a Moog was placed in an Indian design college, students and staff casually broke ground for electronic music. The NID Tapes is a worthy document.
Gentle Confrontation is undoubtedly Loraine James’ most intimate record to date and best overall as she reaches new heights in her production craft.
Eclectic composer Jessica Pavone pays tribute to women-made inventions through powerful musical compositions and performances in her new string ensemble album.
With Soft Sounds, Brooklyn quartet JOBS continue to guide us out of predictability and into previously unknown musical avenues, lush with possibilities.
Electronic artist Miriam Piilonen’s Sharp Diamond demonstrates her wide-ranging singer-songwriter talents and it’s as multifaceted as a fine jewel.
Portland’s experimental post-rock kingpins Grails mark two decades since their debut with a new full-length retrospective LP and chat with PopMatters.
Le Jour et la Nuit du Réel is a departure for Colleen and a natural progression. She delivers a micro-focused version of her sound sculptures.