Richard Sears Expertly Mixes Jazz, Ambient and Musique Concrète
Piano and tape loops provide the basis for pianist Richard Sears’ most satisfying, compelling release to date, Appear to Fade.
Piano and tape loops provide the basis for pianist Richard Sears’ most satisfying, compelling release to date, Appear to Fade.
Sprain’s aim at a masterpiece finds an exhaustive, immersive, and ambitious work of post-rock, noise, and poetry that intellectuals will lust after.
When a Moog was placed in an Indian design college, students and staff casually broke ground for electronic music. The NID Tapes is a worthy document.
Gentle Confrontation is undoubtedly Loraine James’ most intimate record to date and best overall as she reaches new heights in her production craft.
Eclectic composer Jessica Pavone pays tribute to women-made inventions through powerful musical compositions and performances in her new string ensemble album.
With Soft Sounds, Brooklyn quartet JOBS continue to guide us out of predictability and into previously unknown musical avenues, lush with possibilities.
Electronic artist Miriam Piilonen’s Sharp Diamond demonstrates her wide-ranging singer-songwriter talents and it’s as multifaceted as a fine jewel.
Portland’s experimental post-rock kingpins Grails mark two decades since their debut with a new full-length retrospective LP and chat with PopMatters.
Le Jour et la Nuit du Réel is a departure for Colleen and a natural progression. She delivers a micro-focused version of her sound sculptures.
Synthetic or acoustic percussion, Perspective is another release that demonstrates Jlin is a genre unto herself and way ahead of the electronic music curve.
Laurel Halo’s Atlas feels like a natural progression. Mixing her voice with electronics and instruments, she creates her most glacial music yet.
Spend enough time with Radian’s new LP, Distorted Rooms, and you will begin to sense the adjustments made to this musical niche right before your ears.