For those who proclaim that people are solely responsible for their life's choices, Bing Liu's, Minding the Gap shows what costs come with attempting to break cycles of violence, poverty, and addiction.
Using Lewis Carroll's Alice's Adventures in Wonderland as the basis for his film, Claude Chabrol essays a woman's metaphysical journey into fear in his fantasy-themed Alice ou la dernière fugue.
With his debut feature I Comete: A Corsican Summer at the International Film Festival Rotterdam, Director Pascal Tagnati reflects on the filmmaking process.
Fear of unseen powers causing public tragedies was so widespread in 1974 America that filmmakers knew audiences would believe the corporate murder machine of The Parallax View.
Adapting Larry Watson's novel, director Thomas Bezucha sets the quest of a retired sheriff and his wife to the era of American society's fall from grace.
Scorsese's The Irishman is not a masculine power fantasy, nor could its heavy underlying sadness ever be mistaken for delight in violence or criminality.
Director Natalie Erika James talks with PopMatters about how she invites her audience to project their fears onto the screen in her slow burn and suspenseful horror, Relic.
When America developed the hydrogen and atom bombs in WWII, the Atomic Age's eyes opened upon our species. They have yet to blink. Judy Irving's Dark Circle is now available for on-line viewing from First Run Features.