Nordic Noir in Transition: Jussi Adler-Olsen’s ‘Department Q’ Books on Film
Jussi Adler-Olsen, author of the Nordic noir Department Q series, isn’t thrilled with the transition of his work to film. Five directors of six films argue that’s a crime.
Jussi Adler-Olsen, author of the Nordic noir Department Q series, isn’t thrilled with the transition of his work to film. Five directors of six films argue that’s a crime.
A female Tarzan and her gorilla, a horse that revenges his murdered master, mothers, and comical aviators make the scene in these silent film jewels.
Nymphomaniac II, Happening, and Portrait of a Lady on Fire depict backstreet abortion as either a solitary or collaborative experience among women.
The films in Film Noir: The Dark Side of Cinema XVII are united by one of Hollywood’s greatest actors, the almost casually brilliant and magnetic Edward G. Robinson.
From kitchen epics to road odysseys, these nine Chantal Akerman films chart the evolutions and revolutions of one of modern cinema’s most important auteurs.
Cymande were foundational in the creation of hip-hop, disco, house, drum and bass, and rare groove, passed through generations like so much underground music.
Marilyn Monroe’s performative femininity as Sugar in Some Like It Hot is just as artificial as Tony Curtis and Jack Lemmon’s drag characters’, only better.
The Killing Fields, the harrowing film set in Cambodia during the Pol Pot regime, could not be made until after Chariots of Fire, Producer David Puttnam recalls.
Free of a conventional plot but firmly planted in the worldview of Saoirse Ronan’s Rona, The Outrun tells her story in a kaleidoscope of disjointed vignettes.
Can The Zone of Interest, a film about a Nazi commandant and his family, have something to say about the modern day comforts so many enjoy?
From comedies to horror, biographies to romance, there’s a reason why Hollywood filmmakers turn to poetry when dialogue fails.