‘La Cérémonie’ Explores Social Class Struggles with Chilling Exactitude
Filmed under a cool glass of calm and enwrapped in an airy atmosphere, La Cérémonie makes judicious use of its setting to starkly contrast its warring classes.
film feature
Who Thought Monty Python’s John Cleese Could Be a Romantic Lead?
You can sense Charles Crichton’s stare bearing down on John Cleese every time the former Monty Python actor attempts anything more comedic than a bemused smirk.
Five Directors’ Cuts We’re Lucky Didn’t Happen
The director knows best? Not always. Here are five directors’ cuts that we’re lucky didn’t happen – these films were improved by studio interference.
‘The Iron Claw’: In the Company of Men
Ostensibly a biography about wrestler Kerry Von Erich, The Iron Claw grips viewers with its dark tale about the company of men.
Adam Driver’s 5 Best Film Performances
Adam Driver’s transforming, lizard-like qualities make him the modern paradigm of versatility in acting. These five films capture his best performances so far.
Fantasy Made Reality in William Oldroyd’s Adaptation of Ottessa Moshfegh’s ‘Eileen’
William Oldroyd and Thomasin McKenzie discuss sympathising with a young woman caught between fantasy and reality in the adaptation of Ottessa Moshfegh’s Eileen.
‘Laurel & Hardy: Year One’ Shows Why 1927 Was a Vintage Year for Comedy
Most of the comedies in Laurel & Hardy: Year One starred others, so this set shows the evolution of the dual film by film, getting better as they go along.
Getting High on Your Own Supply: ‘Scarface’ as an Allegory of Capitalism
Scarface implies that under capitalism, “getting high on your own supply” is inevitable, as the system is based on the exploitation of dissatisfaction.
Adam Driver’s Chameleon-Like Transformations
Adam Driver’s chameleon-like transformations put him in the rarified company of American male performers who can metamorphose their inner and outer selves.
Jane Campion’s ‘The Piano’ Is a Product of the 1990s, Not the 1890s
The Piano is a ’90s-era postmodern stew of sensuality and death, realism and fantasy, stories within stories, feminism and psychology, and postcolonial imagery.
American Mythology in Terrence Malick’s ‘Days of Heaven’
Days of Heaven questions modernity and neoliberalism while simultaneously critiquing the Agrarian Myth, Manifest Destiny, and the Myth of the Noble Savage.
The Historical-Reflective in Hitchcock’s ‘The Lady Vanishes’
Alfred Hitchcock’s The Lady Vanishes depicts a variety of cultural deaths as they were happening. No small feat for a light comedy with sex-farce undertones.