‘The Underground Railroad’ and Cinema’s Origins in White Supremacy
In adapting the alternative history The Underground Railroad, Barry Jenkins and his crew made cinema – a medium with origins in white supremacy – work for them.
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One More Sad Song: Milos Forman’s Critique of America ‘Ragtime’ at 40
Milos Forman’s Ragtime reflects his jaundiced outsider’s perspective on America’s lures and traps and his mistrust of authority and structure.