film history

Silent Film Jewels About Mothers, Horses and Gorillas

Silent Film Jewels About Mothers, Horses and Gorillas

A female Tarzan and her gorilla, a horse that revenges his murdered master, mothers, and comical aviators make the scene in these silent film jewels.

Backstreet Abortion Onscreen: Stories of Solitary Struggle and Solidarity

Backstreet Abortion Onscreen: Stories of Solitary Struggle and Solidarity

Nymphomaniac II, Happening, and Portrait of a Lady on Fire depict backstreet abortion as either a solitary or collaborative experience among women.

Film Noir Trio Showcases Edward G. Robinson on All Sides of the Law

Film Noir Trio Showcases Edward G. Robinson on All Sides of the Law

The films in Film Noir: The Dark Side of Cinema XVII are united by one of Hollywood’s greatest actors, the almost casually brilliant and magnetic Edward G. Robinson.

Chantal Akerman’s Evolutions and Revolutions

Chantal Akerman’s Evolutions and Revolutions

From kitchen epics to road odysseys, these nine Chantal Akerman films chart the evolutions and revolutions of one of modern cinema’s most important auteurs.

Chewing the Scenery and Chewing on Actors in ‘Man-Eater of Kumaon’

Chewing the Scenery and Chewing on Actors in ‘Man-Eater of Kumaon’

Sabu and a tiger foreshadow Byron Haskin’s special effects and science fiction adventures of humans vs. the elements in Man-Eater of Kumaon.

Inspector Maigret Mysteries Made in Occupied France

Inspector Maigret Mysteries Made in Occupied France

There’s no war going on in these subversive Inspector Maigret whodunits from occupied France, but there’s a lot more murder and paranoia than in the era’s newspapers.

‘Foreign Land’ and the Dawn of a New Age in Brazilian Cinema

‘Foreign Land’ and the Dawn of a New Age in Brazilian Cinema

The bleakness in Walter Salles and Daniela Thomas’ 1995 crime thriller Foreign Land would mark the film as a paragon in the newly emerging Brazilian cinema.

Stanley Kubrick’s Voracious Vision

Stanley Kubrick’s Voracious Vision

Kubrick: An Odyssey by scholars Robert P. Kolker and Nathan Abrams is an ambitious, thorough, and important new take on Stanley Kubrick’s life and work.

‘Laurel & Hardy: Year One’ Shows Why 1927 Was a Vintage Year for Comedy

‘Laurel & Hardy: Year One’ Shows Why 1927 Was a Vintage Year for Comedy

Most of the comedies in Laurel & Hardy: Year One starred others, so this set shows the evolution of the dual film by film, getting better as they go along.

‘Early Shorts of the French New Wave’ Breaks Through Stolid Filmmaking

‘Early Shorts of the French New Wave’ Breaks Through Stolid Filmmaking

These 18 short films in Early Shorts of the French New Wave showcase a consistency of personal expression, handheld style, and filming in the street.

We All Must Reckon with the ‘MCU: The Reign of Marvel Studios’

We All Must Reckon with the ‘MCU: The Reign of Marvel Studios’

Corporate villainy! Creative tyranny! Dangerous foes and tough allies! MCU: The Reign of Marvel Studios blasts the superhero movie universe with the studio’s massive, messy history.

‘Lady for a Night’ Poked a Stick in the Eye of Southern Censors

‘Lady for a Night’ Poked a Stick in the Eye of Southern Censors

Hays Code era Lady for a Night links black American characters with upstart so-called “white trash” to expose corruption and “zombie” hypocrisy from the so-called “quality class”.

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