
The Long Dark Reach of Cornell Woolrich’s Noir Thrillers
Cornell Woolrich’s premise that happiness is always just beyond reach grabs hold of noir thrillers Dark City, Beware, My Lovely, and No Man of Her Own.

Cornell Woolrich’s premise that happiness is always just beyond reach grabs hold of noir thrillers Dark City, Beware, My Lovely, and No Man of Her Own.

What remains of Hobart Bosworth’s edgy strong silent type characters and his directing achievements cling to life in the few silent-era Hollywood films left to us.

Russian director Karen Shakhnazarov’s Soviet-era In the Moscow Slums and Zerograd are surreal, absurdist films rich in Impressionistic color.

Michael Anderson’s ’70s-era ecological horror Orca: The Killer Whale takes the whale’s POV and we won’t like what it sees.

Lamberto Bava’s gothic horror The Mask of Satan is a loose framework for ideas to showcase a delirious camera and the freaky makeup effects of Sergio Stivaletti.

The specters of Mississippi murder, uncontrollable teens and much, much more American-generated anxiety haunt the freak-out horror movie The Beast Within.

Amid the spectre of a sexually transmitted epidemic, b-movie Invasion of the Bee Girls gives viewers an intoxicating buzz.

From silent classics to Thai melodrama, home movies to Brazilian sambas, MoMA’s To Save and Project festival is catnip for international film buffs.

Revenge of the Zombies stands at the axis of Nazis, race relations and feminism in a mishmash of wartime themes under an immigrant director.

Sessue Hayakawa was the first Asian male star in Hollywood, became a “foreign” silent film sex symbol, and ran his own company while the “natives” remained uptight.

Red Mountain and Botany Bay showcase masculine movie icon Alan Ladd in his glory, playing wounded heroes on the wrong side of the law.

What a difference a script makes. Johnny Cash and Cay Forrester goose up the histrionics of Door-to-Door Maniac.