Before and After Hitler: Two Films by German Director Robert Siodmak
German director Robert Siodmak‘s 1930 comedy Farewell is a far cry from 1957’s Nazi-influenced crime thriller, The Devil Strikes at Night.
German director Robert Siodmak‘s 1930 comedy Farewell is a far cry from 1957’s Nazi-influenced crime thriller, The Devil Strikes at Night.
Silent film star Louise Brooks’ first role was that of a “moll”, an uncredited bit part in the evocatively titled The Street of Forgotten Men.
Coming into the 21st century a new attitude was fostered by the digital disruption of filmmaking, which allowed slow cinema and small cinema to become a virtue.
Douglas Sirk’s excellent and subversive drama, Written on the Wind, shows a rich family coming unglued, ungripped, unzipped.
Powell & Pressburger’s film version of Hans Christian Andersen’s “The Red Shoes” asks, is Art worth dying for?
OVIDtv specializes in documentaries and arthouse items such as these five French films of the 1950s and 1960s from directors Marc Allégret and Jacques Doniol-Valcroze. This is my catnip.
Nazi power had already risen and Hitler was Chancellor when The Black Cat shared its laser-focus on the dangers of the rising tide of right-wing politics.
We thoroughly inspect the four 1930s features and bonuses in The Film Detective’s The Sherlock Holmes Vault Collection.
Alfred Werker’s fantasy-dabbling Repeat Performance and John Sturges not-your-typical western The Capture may – or may not – be actual film noir.
Tsui Hark’s Once Upon a Time in China films resonated strongly with Hong Kong citizens worried about the imminent handover of the country to mainland China.
Milos Forman’s Ragtime reflects his jaundiced outsider’s perspective on America’s lures and traps and his mistrust of authority and structure.
We never know everything that goes on that night in horror-noir ‘Among the Living’. This film is no affirmative vision of a small town in the American South.